FilmsPersona (2)Like this

Films like Persona (2).

Persona (2) (1966) reads as Heavy, slow-burn, measured drama, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Angel Is Born (1969) poster
1. The Angel Is Born1969

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Pigsty (1969) poster
2. Pigsty1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Hour of the Wolf (1968) poster
3. Hour of the Wolf1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Hour of the Wolf (2) (1968) poster
4. Hour of the Wolf (2)1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Persona (1966) poster
5. Persona1966

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Mafu Cage (1978) poster
6. The Mafu Cage1978

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Killed the Family and Went to the Movies (1969) poster
7. Killed the Family and Went to the Movies1969

Keeps the unmistakable directorial hand and the pitch-dark outlook — one of the nearest reads in the catalogue.

Repulsion(1965)1965
8. Repulsion1965

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Tenant (1976) (1976) poster
9. The Tenant1976

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

3 Women (1977) poster
10. 3 Women1977

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Dog Star Man (1964) poster
11. Dog Star Man1964

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Kuroneko (1968) (1968) poster
12. Kuroneko1968

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Persona (2)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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