Hour of the Wolf (2)
- heavy
- measured
- intense
- surreal
- bleak
- cold
Heavy, measured, measured horror / drama, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.
Our read · Hour of the Wolf (2) (1968) reads as a heavy, measured, surreal horror · drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Hour of the Wolf
What watching it is actually like.
“You want a haunting Bergman psychological horror about an artist's descent into madness.”
Skip it tonight — Skip if disturbing visions, nudity or slow intense dread will overwhelm you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself