Killed the Family and Went to the Movies
- heavy
- measured
- intense
- surreal
- bleak
- cold
Heavy, measured, measured experimental / udigrudi, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
Our read · Killed the Family and Went to the Movies (1969) reads as a heavy, measured, surreal experimental · udigrudi entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Killed the Family and Went to the Movies
What watching it is actually like.
“You want provocative experimental Brazilian cinema about random violence and social rot.”
Skip it tonight — Skip if graphic family murder and disjointed shocking stories will repulse you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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