We Are Still Here
- heavy
- brisk
- extreme
- inventive
- bleak
- cold
Heavy, kinetic, extreme horror, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →After the death of their college age son, Anne and Paul Sacchetti relocate to the snowswept New England hamlet of Aylesbury, a sleepy village where all is most certainly not as it seems. When strange sounds and eerie feelings convince Anne that her son's spirit is still with them, they invite an eccentric, New Age couple to help them get to the bottom of the mystery.
Our read · We Are Still Here (2015) reads as a heavy, kinetic, inventive horror entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of We Are Still Here
What watching it is actually like.
“You want smart New England grief horror with a vicious final act.”
Skip it tonight — You cannot stomach jump scares, gore, or parental loss themes tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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