The Last Exorcism Part II
- heavy
- measured
- bleak
- cold
Heavy, measured, measured horror / thriller, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →As Nell Sweetzer tries to build a new life, the evil force that once possessed her returns with an even more horrific plan.
Our read · The Last Exorcism Part II (2013) reads as a heavy, measured, inventive horror · thriller · supernatural entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Last Exorcism Part II
What watching it is actually like.
“You want a possession sequel focused on Nell rebuilding life before darkness returns.”
Skip it tonight — Routine jump-scare exorcism fodder without the first film's found-footage bite.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself