The Tuxedo
- kinetic
- intense
- inventive
- twisty
- epic-stakes
- funny
Neutral, breathless, extreme thriller / action, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Cabbie-turned-chauffeur Jimmy Tong learns there is really only one rule when you work for playboy millionaire Clark Devlin : Never touch Devlin's prized tuxedo. But when Devlin is temporarily put out of commission in an explosive accident, Jimmy puts on the tux and soon discovers that this extraordinary suit may be more black belt than black tie. Paired with a partner as inexperienced as he is, Jimmy becomes an unwitting secret agent.
Our read · The Tuxedo (2002) reads as a neutral, breathless, inventive thriller · action · comedy entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Tuxedo
What watching it is actually like.
“You want lightweight Jackie Chan gadget fights with silly spy flourishes and minimal commitment.”
Skip it tonight — You need coherent plotting; this effects-heavy goof overstays its welcome fast.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself