The Medallion (2003) poster
2003 · thriller · fantasy · action · comedy

The Medallion

Directed by Gordon Chan1h 28m2003
ElsewhereIMDb5.246kRT17%Metacritic38
  • sombre
  • kinetic
  • extreme
  • twisty
  • epic-stakes
Movie DNA

Sombre, breathless, extreme thriller / fantasy, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

A Hong Kong detective suffers a fatal accident involving a mysterious medallion and is transformed into an immortal warrior with superhuman powers.

Our read · The Medallion (2003) reads as a sombre, breathless, inventive thriller · fantasy · action entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Medallion

Tonight, this looks like

What watching it is actually like.

You want goofy Jackie Chan immortality action with supernatural stunts and zero gravity.

ends triumphantyou’ll be fine aftergrabs you earlygrips by minute 3attention 2/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violence

Skip it tonightSkip if bargain-bin CGI fantasy and Lee Evans mugging will grate on you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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