The Cloud and the Rising Sun
- sombre
- measured
Sombre, measured, measured drama / iranian, grounded in texture. Ambivalent, intimate, measured.
How every film is hand-scored →For his directorial and writing debut, cinematographer Mahmoud Kalari turns to his most familiar subject: filmmaking. A small crew from Tehran is filming in the countryside. Just when they are ready to shoot the final scene, the weather refuses to cooperate. As if that’s not enough of a problem, the lead actor suddenly abandons the shoot to attend to a family emergency. How far will the filmmakers go to accomplish their mission? Having worked on dozens of productions as a cinematographer, Kalari reflects on the absurd and comical situations that befall filmmakers in this charming picture (on which he also served as cinematographer).
Our read · The Cloud and the Rising Sun (2024) reads as a sombre, measured, grounded drama · iranian entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook.
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The shape of The Cloud and the Rising Sun
What watching it is actually like.
“You want a gentle Iranian comedy about a film crew fighting weather and setbacks on location.”
Skip it tonight — Skip if you need plot-heavy stories or dislike subtitled slice-of-life comedies.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
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Discussion
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