Living in Oblivion
- warm
- brisk
- intimate
- funny
Warm, kinetic, measured comedy / satire, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.
Our read · Living in Oblivion (1995) reads as a warm, kinetic, inventive comedy · satire · indie entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
YouTube TV
Fandor
Philo
Fandor Amazon Channel
Shout! Factory Amazon Channel
Cineverse Amazon Channel
Availability in the US · via JustWatch
More info & search links
The shape of Living in Oblivion
What watching it is actually like.
“You love indie filmmaking chaos and want a funny behind-the-camera disaster reel.”
Skip it tonight — You have no patience for low-budget film-insider jokes or Steve Buscemi angst.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself