Films like We're All Going to the World's Fair.

We're All Going to the World's Fair (2021) reads as Heavy, slow-burn, measured drama / horror, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Berberian Sound Studio (2012) poster
1. Berberian Sound Studio2012

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Post Tenebras Lux (2012) poster
2. Post Tenebras Lux2012

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

She Dies Tomorrow (2020) poster
3. She Dies Tomorrow2020

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

Long Day's Journey into Night (2018) poster
4. Long Day's Journey into Night2018

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

The Shrouds (2024) poster
5. The Shrouds2024

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Enys Men (2022) poster
6. Enys Men2022

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

I Saw the Glow (2024) poster
7. I Saw the Glow2024

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

Come True (2020) poster
8. Come True2020

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Lamb (2021) poster
9. Lamb2021

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Crimes of the Future (2022) (2022) poster
10. Crimes of the Future2022

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a white-knuckle intensity.

Vivarium (2019) poster
11. Vivarium2019

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Memory House (2020) poster
12. Memory House2020

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

These are We're All Going to the World's Fair’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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