Films like Un Chien Andalou.

Un Chien Andalou (1929) reads as Heavy, kinetic, measured short / silent, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Blood of a Poet (1932) poster
1. The Blood of a Poet1932

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Faust (Murnau) (1926) poster
2. Faust (Murnau)1926

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

L'Âge d'Or (1930) poster
3. L'Âge d'Or1930

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Witchcraft Through the Ages (1922) poster
4. Witchcraft Through the Ages1922

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

The Fall of the House of Usher (1928) poster
5. The Fall of the House of Usher1928

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.

The Cabinet of Dr. Caligari (1920) poster
6. The Cabinet of Dr. Caligari1920

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

A Page of Madness (1926) (1926) poster
7. A Page of Madness1926

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Vampyr (1932) poster
8. Vampyr1932

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

The Mascot (1933) poster
9. The Mascot1933

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Nosferatu (1922) poster
10. Nosferatu1922

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Golem: How He Came into the World (1920) poster
11. The Golem: How He Came into the World1920

Keeps the unmistakable directorial hand and the documentary-plain realism; trades toward a patient, unhurried pace.

The Tales of Hoffmann (1951) (1951) poster
12. The Tales of Hoffmann1951

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are Un Chien Andalou’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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