A Page of Madness (1926)
- heavy
- intense
- surreal
- bleak
- cold
- signature
Heavy, steady, measured horror / silent, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A man takes a job at an asylum with hopes of freeing his imprisoned wife.
Our read · A Page of Madness (1926) (1926) reads as a heavy, steady, surreal horror · silent · drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of A Page of Madness
What watching it is actually like.
“You want an avant-garde silent Japanese experiment in madness and cinema form.”
Skip it tonight — Skip if experimental silent films or asylum settings feel inaccessible or heavy.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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