Films like That Day, on the Beach.

That Day, on the Beach (1983) reads as Sombre, slow-burn, gentle drama / taiwanese, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The State of Things (1982) poster
1. The State of Things1982

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Christ Stopped at Eboli (1979) poster
2. Christ Stopped at Eboli1979

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Mukhamukham (1984) poster
3. Mukhamukham1984

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Mandala (1981) poster
4. Mandala1981

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Vive le Tour (1986) poster
5. Vive le Tour1986

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Good Men, Good Women (1995) poster
6. Good Men, Good Women1995

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Abraham's Valley (1993) poster
7. Abraham's Valley1993

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

King of the Children (1987) poster
8. King of the Children1987

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

On the Hunting Ground (1985) poster
9. On the Hunting Ground1985

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Beautiful Troublemaker (1991) poster
10. The Beautiful Troublemaker1991

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Personnel (1975) poster
11. Personnel1975

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Chocolat (1988) poster
12. Chocolat1988

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

These are That Day, on the Beach’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →