The State of Things
- sombre
- slow-burn
- signature
- intimate
Sombre, slow-burn, gentle drama, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
Our read · The State of Things (1982) reads as a sombre, slow-burn, grounded drama entry — gentle in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
More info & search links
The shape of The State of Things
What watching it is actually like.
“You want a meta slow film about a stranded movie crew and the state of cinema.”
Skip it tonight — Skip if filmmaking process stories and long European art films bore you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself