Films like Partner (Bertolucci).

Partner (Bertolucci) (1968) reads as Heavy, measured, measured drama, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Shadows of Forgotten Ancestors (1965) poster
1. Shadows of Forgotten Ancestors1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Killed the Family and Went to the Movies (1969) poster
2. Killed the Family and Went to the Movies1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Casanova (1976) (1976) poster
3. Casanova1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Barrier (1966) poster
4. Barrier1966

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

3 Women (1977) poster
5. 3 Women1977

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Funeral Parade of Roses (1969) poster
6. Funeral Parade of Roses1969

Keeps the unmistakable directorial hand and the strange, dreamlike logic — one of the nearest reads in the catalogue.

The Man Without a Map (1968) poster
7. The Man Without a Map1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Angel Is Born (1969) poster
8. The Angel Is Born1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Artists Under the Big Top: Perplexed (1968) poster
9. Artists Under the Big Top: Perplexed1968

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Ganja & Hess (1973) poster
10. Ganja & Hess1973

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Persona (1966) poster
11. Persona1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Salto (1965) poster
12. Salto1965

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

These are Partner (Bertolucci)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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