Films like JLG/JLG: Self-Portrait in December.
JLG/JLG: Self-Portrait in December (1995) reads as Sombre, slow-burn, gentle essay / autobiography, surreal in texture. Ambivalent, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.
Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a world-sized stakes.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a strange, dreamlike logic.
Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.
Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.
These are JLG/JLG: Self-Portrait in December’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
Find my film for tonight — 60 sec →