JLG/JLG: Self-Portrait in December
- sombre
- slow-burn
- surreal
- signature
Sombre, slow-burn, gentle essay / autobiography, surreal in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.
Our read · JLG/JLG: Self-Portrait in December (1995) reads as a sombre, slow-burn, surreal essay · autobiography · experimental entry — gentle in intensity, intimate in scope, cold in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of JLG/JLG
What watching it is actually like.
“You want an intimate essay film on cinema, art and a director's self-examination.”
Skip it tonight — You want a conventional documentary or clear narrative entertainment.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself