FilmsFoolish WivesLike this

Films like Foolish Wives.

Foolish Wives (1922) reads as Sombre, steady, measured drama / silent, grounded in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Blue Angel (1930) poster
1. The Blue Angel1930

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Shooting Stars (1928) poster
2. Shooting Stars1928

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Underworld (1927) poster
3. Underworld1927

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

La Chienne (1931) poster
4. La Chienne1931

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Dr. Mabuse, the Gambler (1922) poster
5. Dr. Mabuse, the Gambler1922

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Greed (1924) poster
6. Greed1924

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

The Last Command (1928) poster
7. The Last Command1928

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

A Cottage on Dartmoor (1929) poster
8. A Cottage on Dartmoor1929

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Pandora's Box (1929) poster
9. Pandora's Box1929

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a heightened unreality.

The Love of Jeanne Ney (1927) poster
10. The Love of Jeanne Ney1927

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Blackmail (1929) poster
11. Blackmail1929

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a heightened unreality.

The Lodger: A Story of the London Fog (1927) poster
12. The Lodger: A Story of the London Fog1927

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Foolish Wives’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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