Greed
- heavy
- measured
- intense
- bleak
- cold
- signature
Heavy, measured, measured drama / silent, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →When housewife Trina wins the lottery, her comfortable life with her dentist husband John slowly deteriorates, in part by her own increasing paranoia and partly by the machinations of villainous acquaintance Marcus.
Our read · Greed (1924) reads as a heavy, measured, grounded drama · silent entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Greed
What watching it is actually like.
“You want uncompromising silent tragedy about money corroding love.”
Skip it tonight — Skip if silent epics feel like homework this late at night.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself