FilmsFaust (Murnau)Like this

Films like Faust (Murnau).

Faust (Murnau) (1926) reads as Heavy, measured, measured drama / fantasy, surreal in texture. Nihilistic, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Cabinet of Dr. Caligari (1920) poster
1. The Cabinet of Dr. Caligari1920

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a chilly detachment.

Vampyr (1932) poster
2. Vampyr1932

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Nosferatu (1922) poster
3. Nosferatu1922

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Witchcraft Through the Ages (1922) poster
4. Witchcraft Through the Ages1922

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Un Chien Andalou (1929) poster
5. Un Chien Andalou1929

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Golem: How He Came into the World (1920) poster
6. The Golem: How He Came into the World1920

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Orpheus (1950) (1950) poster
7. Orpheus1950

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Fall of the House of Usher (1928) poster
8. The Fall of the House of Usher1928

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a airy, open telling.

A Page of Madness (1926) (1926) poster
9. A Page of Madness1926

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a heightened unreality.

The Phantom Carriage (1921) poster
10. The Phantom Carriage1921

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a stubborn streak of hope.

Meshes of the Afternoon (1943) poster
11. Meshes of the Afternoon1943

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Blood of a Poet (1932) poster
12. The Blood of a Poet1932

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

These are Faust (Murnau)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →