Demonia
- heavy
- intense
- bleak
- cold
Heavy, steady, measured supernatural / nuns, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Professor Malcolm Evans leads his archaeological expedition into the Valley of Temples in southeast Sicily. His companion and former student, Liza Harris, is looking forward to her very first dig. But Liza feels a strange sympathy with the valley and her recurring nightmares seem strongly tied to the nearby ruins. She is drawn to the remains of a 16th Century convent and its grisly legend of crucifixion. The local villagers rise to protect the entombed secrets of their ancestors, as Liza's obsession with uncovering the truth takes her deeper into the forbidden ruins and further from sanity!
Our read · Demonia (1990) reads as a heavy, steady, inventive supernatural · nuns · gore entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Demonia
What watching it is actually like.
“You want late Fulci Italian horror with nunsploitation, graphic gore and occult excess.”
Skip it tonight — You want coherent stories or cannot handle extreme gore and sleaze.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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