City of the Living Dead
- heavy
- brisk
- extreme
- inventive
- bleak
- cold
Heavy, kinetic, extreme horror / supernatural, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A psychic seemingly dies of fright during a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell that must be sealed by All Saints Day, or else the dead will overtake humanity.
Our read · City of the Living Dead (1980) reads as a heavy, kinetic, inventive horror · supernatural · gore entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
More info & search links
The shape of City of the Living Dead
What watching it is actually like.
“You want Fulci nightmare logic, portal dread, and splatter that still disturbs.”
Skip it tonight — Skip if on-screen suicide, child peril, or eye-gouge gore will haunt you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself