Crimes and Misdemeanors
- sombre
Sombre, steady, measured drama / comedy, grounded in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A renowned ophthalmologist is desperate to cut off an adulterous relationship…which ends up in murder; and a frustrated documentary filmmaker woos an attractive television producer while making a film about her insufferably self-centered boss.
Our read · Crimes and Misdemeanors (1989) reads as a sombre, steady, grounded drama · comedy entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Crimes and Misdemeanors
What watching it is actually like.
“You want Woody Allen at his sharpest, pairing comedy with a cold moral reckoning.”
Skip it tonight — Skip if talky New York angst or infidelity-without-consequences themes feel too sour.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself