Yes, God, Yes (2020) poster
2020 · drama · comedy · coming-of-age

Yes, God, Yes

Directed by Karen Maine1h 18m2020
ElsewhereIMDb6.119kRT92%Metacritic71
  • cosy
  • brisk
  • gentle
  • intimate
Movie DNA

Cosy, kinetic, gentle drama / comedy, grounded in texture. Redemptive, intimate, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.

Our read · Yes, God, Yes (2020) reads as a cosy, kinetic, grounded drama · comedy · coming-of-age entry — gentle in intensity, intimate in scope, measured in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Yes, God, Yes

Tonight, this looks like

What watching it is actually like.

You want a sharp, funny take on Catholic guilt and teenage desire.

ends upliftingyou’ll feel glowing aftera slow buildgrips by minute 8attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upcringe humiliation

Skip it tonightYou cannot stomach awkward sex-shame humor with authority figures.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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