Yara
- heavy
- cold
Heavy, steady, measured drama, grounded in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.
Our read · Yara (2021) reads as a heavy, steady, grounded drama entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Yara
What watching it is actually like.
“You want a taut Italian true-crime procedural built on DNA and persistence.”
Skip it tonight — Skip if child murder cases and procedural dread will leave you unsettled.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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