WXIII: Patlabor the Movie 3
- sombre
- intense
Sombre, steady, measured mecha / mystery, inventive in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Set in the year 2000, when the level of Labor accidents begin to escalate around Tokyo Bay, police detectives Kusumi and Hata are assigned to investigate. What they discover leads to a series of government cover-ups, conspiracy concerning a new biological weapon entitled WXIII-Wasted Thirteen and a tragic, personal connection to Hata. The only hope to stop this threat is to cooperate with the military and lead WXIII into a showdown with the Labors of Special Vehicle Division 2.
Our read · WXIII: Patlabor the Movie 3 (2002) reads as a sombre, steady, inventive mecha · mystery · drama entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of WXIII
What watching it is actually like.
“You want a serious Patlabor anime about police mecha, conspiracy and a biological weapon.”
Skip it tonight — Mecha action mixed with government cover-ups and tragic personal stakes feels grim.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself