Women in New York
- sombre
Sombre, steady, measured drama / tv, inventive in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In 1930s New York, a group of bored wealthy women convene in social situations and converse about their husbands and/or lovers.
Our read · Women in New York (1977) reads as a sombre, steady, inventive drama · tv · feminist entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Women in New York
What watching it is actually like.
“You want acid Fassbinder salon talk about wealthy women, lovers, and masks.”
Skip it tonight — Skip if icy German chamber gossip feels claustrophobic after a long day.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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