What Dreams May Come (1998) poster
1998 · drama · fantasy · romance · supernatural

What Dreams May Come

Directed by Vincent Ward1h 53m1998
ElsewhereIMDb7.0118kRT51%Metacritic44
  • warm
  • inventive
  • tender
Movie DNA

Warm, steady, measured drama / fantasy, surreal in texture. Ambivalent, mid-stakes, tender, hand-scored across twelve axes of taste.

How every film is hand-scored →

Chris Nielsen dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he died, his wife Annie killed herself and went to hell. Chris decides to risk eternity in Hades for the small chance that he will be able to bring her back to heaven.

Our read · What Dreams May Come (1998) reads as a warm, steady, surreal drama · fantasy · romance entry — measured in intensity, mid-stakes in scope, tender in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of What Dreams May Come

Tonight, this looks like

What watching it is actually like.

You want a lush afterlife love story that makes grief feel strangely beautiful.

ends bittersweetit stays with youa slow buildgrips by minute 18attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upsuicide themechild perilbody horror

Skip it tonightYou cannot face suicide themes or need something light before bed tonight.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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