War on Everyone
- kinetic
- funny
Neutral, breathless, measured action / comedy, inventive in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Two corrupt cops in New Mexico set out to blackmail and frame every criminal unfortunate enough to cross their path. Things take a sinister turn, however, when they try to intimidate someone who is more dangerous than they are. Or is he?
Our read · War on Everyone (2016) reads as a neutral, breathless, inventive action · comedy · mystery entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of War on Everyone
What watching it is actually like.
“You want filthy, fast bad-cop comedy with zero moral compass and maximum banter.”
Skip it tonight — You are offended by racist jokes, corruption, and casual ultraviolence.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself