Vile (2011) poster
2011 · horror · thriller

Vile

Directed by Taylor Sheridan1h 28m2011
ElsewhereIMDb4.97k
  • heavy
  • brisk
  • extreme
  • bleak
  • cold
  • intimate
Movie DNA

Heavy, kinetic, extreme horror / thriller, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

A group of people awaken to find themselves prisoners in a mysterious house with no means of escape. They are each outfitted with electronic devices attached to the base of their skulls. The chemicals that the brain produces when in pain are collected by the devices, and when it collects a predetermined amount, the doors will be opened. In order to escape, they must hurt themselves and each other.

Our read · Vile (2011) reads as a heavy, kinetic, inventive horror · thriller entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Vile

Tonight, this looks like

What watching it is actually like.

You want trapped strangers forced to torture themselves for escape.

ends devastatingit will wreck yousteady all the waygrips by minute 4attention 4/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegore

Skip it tonightSkip if sadistic pain games and hopeless cruelty will wreck you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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