Ugly, Dirty and Bad
- warm
- brisk
- gentle
- tender
Warm, kinetic, gentle comedy / drama, grounded in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.
How every film is hand-scored →Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.
Our read · Ugly, Dirty and Bad (1976) reads as a warm, kinetic, grounded comedy · drama entry — gentle in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Ugly, Dirty and Bad
What watching it is actually like.
“You want grotesque Italian family comedy where everyone schemes for hidden cash.”
Skip it tonight — Skip if squalid domestic cruelty and full subtitles feel like homework.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself