Twister (1996) poster
1996 · action · adventure · disaster

Twister

Directed by Jan de Bont1h 53m1996
ElsewhereIMDb6.6249kRT68%Metacritic68TMDB6.64k
  • kinetic
  • intense
Movie DNA

Neutral, breathless, measured action / adventure, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

An unprecedented series of violent tornadoes is sweeping across Oklahoma. Tornado chasers, headed by Dr. Jo Harding, attempt to release a groundbreaking device that will allow them to track them and create a more advanced warning system. They are joined by Jo's soon to be ex-husband Bill, a former tornado chaser himself, and his girlfriend Melissa.

Our read · Twister (1996) reads as a neutral, breathless, grounded action · adventure · disaster entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Twister

Tonight, this looks like

What watching it is actually like.

You want tornado spectacle, divorced-couple banter, and pure nineties adrenaline.

ends triumphantyou’ll feel glowing aftergrabs you earlygrips from the openattention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around

Skip it tonightDisaster-movie cheese and shaky science will annoy you throughout.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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