Trash
- kinetic
- intense
- redemptive
Neutral, breathless, measured adventure / crime, grounded in texture. Redemptive, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Set in Brazil, three kids who make a discovery in a garbage dump soon find themselves running from the cops and trying to right a terrible wrong.
Our read · Trash (2014) reads as a neutral, breathless, grounded adventure · crime · drama entry — measured in intensity, mid-stakes in scope, measured in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Trash
What watching it is actually like.
“You want a Rio street-kids adventure chasing justice through dumps and corruption.”
Skip it tonight — Skip if child danger in favelas and police brutality feel too grim tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself