To All the Boys I've Loved Before (2018) poster
2018 · comedy · romance · coming-of-age

To All the Boys I've Loved Before

Directed by Susan Johnson1h 40m2018
ElsewhereIMDb7.0139kRT96%Metacritic64
  • cosy
  • brisk
  • gentle
  • redemptive
  • tender
Movie DNA

Cosy, kinetic, gentle comedy / romance, grounded in texture. Redemptive, intimate, tender, hand-scored across twelve axes of taste.

How every film is hand-scored →

Lara Jean's love life goes from imaginary to out of control when her secret letters to every boy she's ever fallen for are mysteriously mailed out.

Our read · To All the Boys I've Loved Before (2018) reads as a cosy, kinetic, grounded comedy · romance · coming-of-age entry — gentle in intensity, intimate in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of To All the Boys I've Loved Before

Tonight, this looks like

What watching it is actually like.

You want cozy teen rom-com sweetness with fake-dating chaos and sister warmth.

ends upliftingyou’ll feel glowing aftergrabs you earlygrips by minute 5attention 2/5breezes by
Date nightWith friendsSoloWith parentsKids around

Skip it tonightSkip if high-school romance fluff or YA predictability bores you tonight.

If To All the Boys I've Loved Before is your film
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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