Time and Tide (2000) poster
2000 · action · crime · thriller

Time and Tide

Directed by Tsui Hark1h 53m2000
ElsewhereIMDb6.75kRT64%Metacritic60TMDB6.5192
  • sombre
  • kinetic
  • extreme
Movie DNA

Sombre, breathless, extreme action / crime, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

A streetwise young man becomes a bodyguard to score quick cash. He befriends a disillusioned mercenary determined to begin life anew. They find themselves working together to foil an assassination attempt, but their partnership ultimately can't last.

Our read · Time and Tide (2000) reads as a sombre, breathless, inventive action · crime · thriller entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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Availability in Latvia · via JustWatch

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The shape of Time and Tide

Tonight, this looks like

What watching it is actually like.

You want kinetic Hong Kong action with stylish gunplay and male bonds.

ends bittersweetit stays with yougrabs you earlygrips by minute 8attention 3/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencedrug use

Skip it tonightYou want a coherent plot or light entertainment without heavy violence.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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