The Web of the Spider
- heavy
- measured
- intense
- bleak
- cold
Heavy, measured, measured gothic / ghost, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Alan Foster, a professional American journalist, travels to London to meet with Edgar Allan Poe for an interview. While in London, Alan soon finds himself in the company of Lord Blackwood, and Alan accepts a bet to spend a night in his castle
Our read · The Web of the Spider (1971) reads as a heavy, measured, inventive gothic · ghost · poe entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Web of the Spider
What watching it is actually like.
“You want gothic 70s Italian horror in a castle full of ghosts and vampires.”
Skip it tonight — Skip if slow Euro horror or dated effects will bore you tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself