The Voices
- brisk
- intense
- surreal
- intimate
Neutral, kinetic, measured comedy / crime, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Our read · The Voices (2014) reads as a neutral, kinetic, surreal comedy · crime · horror entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Voices
What watching it is actually like.
“You want pitch-black comedy horror with a wildly against-type Ryan Reynolds.”
Skip it tonight — Skip if talking severed heads and dismemberment ruin your appetite for jokes.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself