The Touch (1971) poster
1971 · drama · romance

The Touch

Directed by Ingmar Bergman1h 55m1971
ElsewhereIMDb6.32kRT64%TMDB5.959
  • sombre
  • intense
Movie DNA

Sombre, steady, measured drama / romance, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

A Swedish housewife begins an adulterous affair with an American archaeologist, unaware of his emotional scars as a Holocaust survivor; consequently, their relationship will be painfully difficult.

Our read · The Touch (1971) reads as a sombre, steady, grounded drama · romance entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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Availability in the UK · via JustWatch

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The shape of The Touch

Tonight, this looks like

What watching it is actually like.

You want a Bergman portrait of a difficult cross-cultural adulterous affair.

ends bittersweetit stays with youa slow buildgrips by minute 28attention 4/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upnudity

Skip it tonightYou want escapist romance or tidy emotional payoffs.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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