The Time Machine (2002) poster
2002 · sci-fi · adventure · action · time-loop

The Time Machine

Directed by Simon Wells1h 36m2002
ElsewhereIMDb6.0134kRT28%Metacritic42
  • sombre
  • kinetic
  • extreme
  • inventive
  • epic-stakes
Movie DNA

Sombre, breathless, extreme sci-fi / adventure, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Hoping to alter the events of the past, a 19th-century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.

Our read · The Time Machine (2002) reads as a sombre, breathless, inventive sci-fi · adventure · action entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Time Machine

Tonight, this looks like

What watching it is actually like.

You want glossy time-travel adventure with romance and far-future spectacle.

ends bittersweetyou’ll be fine aftersteady all the waygrips by minute 12attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencejump scares

Skip it tonightYou expect the depth and dread of the classic novel faithfully adapted.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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