The Scribbler (2014) poster
2014 · thriller · supernatural

The Scribbler

Directed by John Suits1h 28m2014
ElsewhereIMDb5.35kRT50%Metacritic32
  • sombre
  • brisk
  • intense
  • surreal
  • cold
Movie DNA

Sombre, kinetic, measured thriller / supernatural, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

Suki is a young woman confronting her destructive mental illness using "The Siamese Burn," an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being "cured," she's haunted by a thought... what if the last unwanted identity turns out to be her?

Our read · The Scribbler (2014) reads as a sombre, kinetic, surreal thriller · supernatural entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Scribbler

Tonight, this looks like

What watching it is actually like.

You want a compact thriller about experimental tech to erase multiple personalities.

ends ambiguousit stays with youa slow buildgrips by minute 18attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upnudity

Skip it tonightSkip if psychiatric experiments and identity horror feel claustrophobic tonight.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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