The Saint
- brisk
Neutral, kinetic, measured action / adventure, grounded in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →International master thief, Simon Templar, also known as The Saint, is asked by a desperate rich man to find his kidnapped daughter. However, in addition to evading the authorities, Simon must face a dangerous adversary from his past.
Our read · The Saint (2017) reads as a neutral, kinetic, grounded action · adventure · crime entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Saint
What watching it is actually like.
“You want breezy Simon Templar capers with kidnapping stakes and light espionage.”
Skip it tonight — Skip if made-for-TV action and a thin reboot cannot hold your focus.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself