The Rules of Attraction
- heavy
- brisk
- intense
- inventive
- bleak
- cold
Heavy, kinetic, measured drama / comedy, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.
Our read · The Rules of Attraction (2002) reads as a heavy, kinetic, inventive drama · comedy entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Rules of Attraction
What watching it is actually like.
“You want icy Bret Easton Ellis college satire wallowing in privilege and rot.”
Skip it tonight — You need likable characters or cannot handle rape, overdose, and suicide imagery.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself