The New Adventures of Cinderella (2017) poster
2017 · comedy

The New Adventures of Cinderella

Directed by Lionel Steketee1h 30m2017
ElsewhereIMDb4.5365
  • warm
  • brisk
  • gentle
Movie DNA

Cosy, kinetic, gentle comedy, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.

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It's Julie's birthday but she seems to be the only one who remembers... Until Marco, the man she secretly loves, calls her and tells her he's going to drop off her son because the babysitter had a setback. Julie is devastated, everyone considers her to be a maid. Alone with this particularly obnoxious little boy, Julie decides to tell him the story of Cinderella... well, almost.

Our read · The New Adventures of Cinderella (2017) reads as a cosy, kinetic, inventive comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The New Adventures of Cinderella

Tonight, this looks like

What watching it is actually like.

You want a cheeky French comedy of a mom telling a twisted Cinderella to an obnoxious kid.

ends warmyou’ll be fine aftergrabs you earlygrips by minute 6attention 2/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around

Skip it tonightYou want sophisticated or child-free sophisticated humor.

If The New Adventures of Cinderella is your film
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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