The Neighbor
- heavy
- brisk
- extreme
- cold
Heavy, kinetic, extreme crime / horror, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →In the town of Cutter, most people keep to themselves. But when John comes home to find his girlfriend missing, he sneaks into his neighbor's house, finding his girlfriend and several other kidnapped people tied up in the basement. When the neighbor come home, John is forced to get out of the house alive and lead the group to safety.
Our read · The Neighbor (2016) reads as a heavy, kinetic, grounded crime · horror · mystery entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Neighbor
What watching it is actually like.
“You want a lean basement-captive thriller that opens on a missing girlfriend.”
Skip it tonight — Skip if kidnapping violence and torture tension will keep you awake.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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