The Mole Song: Undercover Agent Reiji
- warm
- kinetic
- inventive
- funny
Warm, breathless, measured comedy / crime, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Reiji Kikukawa, who has a strong sense of justice, graduated from the police academy with the lowest score ever. He becomes a police constable, but is suddenly fired by the Police Chief due to "disciplinary" issues. In actuality, the firing is part of a carefully orchestrated plan to set him up as an undercover cop in the Yakuza.
Our read · The Mole Song: Undercover Agent Reiji (2013) reads as a warm, breathless, inventive comedy · crime · manga entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Mole Song
What watching it is actually like.
“You want wild over-the-top Japanese yakuza undercover slapstick action comedy.”
Skip it tonight — You want subtle drama or cannot handle bawdy violent farce.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself