The Last Black Man in San Francisco
- sombre
- measured
Sombre, measured, measured race / gentrification, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.
Our read · The Last Black Man in San Francisco (2019) reads as a sombre, measured, inventive race · gentrification · friendship entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Last Black Man in San Francisco
What watching it is actually like.
“You want a lyrical San Francisco poem about friendship, home, and displacement.”
Skip it tonight — Skip if meditative pacing and gentrification grief feel too heavy now.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself