The House I Live In
- heavy
- twisty
Heavy, steady, measured documentary, grounded in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In the past 40 years, the War on Drugs has accounted for 45 million arrests, made America the world's largest jailer, and destroyed impoverished communities at home and abroad. Yet drugs are cheaper, purer, and more available today than ever. Where did we go wrong?
Our read · The House I Live In (2012) reads as a heavy, steady, grounded documentary entry — measured in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The House I Live In
What watching it is actually like.
“You want a documentary that dismantles the US war on drugs and its costs.”
Skip it tonight — You want fiction or find policy documentaries too depressing.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself