The Group (1966) poster
1966 · drama · ensemble · women

The Group

Directed by Sidney Lumet2h 32m1966
ElsewhereIMDb6.52kRT75%TMDB5.735
  • sombre
  • brisk
Movie DNA

Sombre, kinetic, measured drama / ensemble, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

It's 1933, and eight young women are friends and members of the upper-class group at a private girl's school, about to graduate and start their own lives. The film documents the years between their graduation and the beginning of the World War in Europe, and shows, in a serialized style, their romances and marriages, their searches for careers or meaning in their lives, their highs and their lows.

Our read · The Group (1966) reads as a sombre, kinetic, grounded drama · ensemble · women entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Group

Tonight, this looks like

What watching it is actually like.

You want an ensemble 60s drama tracing eight privileged women's lives through the 1930s.

ends bittersweetit stays with yousteady all the waygrips by minute 25attention 4/5feels its length
Date nightWith friendsSoloWith parentsKids around
Heads-upsuicide theme

Skip it tonightSkip if long talky period pieces or stories touching suicide and adult disillusionment tire you.

If The Group is your film
All About Eve (1950)
sharp female ambition and friendship rivalries
(if you want 1930s setting specifically)
The Best of Everything (1959)
young career women navigating love and work in NYC
(unless glossy soap tone feels dated)
Valley of the Dolls (1967)
women's lives unraveling amid fame, pills, and pressure
(if melodrama and length overwhelm)
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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