The Falling
- sombre
- measured
- intense
- inventive
Sombre, measured, measured mystery / adolescence, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →England, 1969. The fascinating Abbie and the troubled Lydia are great friends. After an unexpected tragedy occurs in the strict girls' school they attend, a mysterious epidemic of fainting breaks out that threatens the mental sanity and beliefs of the tormented people involved, both teachers and students.
Our read · The Falling (2014) reads as a sombre, measured, inventive mystery · adolescence · hysteria entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Falling
What watching it is actually like.
“You want hypnotic 1960s schoolgirl hysteria with friendship, grief, and strange contagion.”
Skip it tonight — Skip if teen fainting outbreaks, sexual awakening, and family trauma feel too unsettling.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself