The Entitled
- heavy
- brisk
- intense
- cold
Heavy, kinetic, measured thriller / crime, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Without the security of the job he wants or the future he dreamed of, Paul Dynan plans the perfect crime to help his struggling family – abduct the socialite children of three wealthy men and collect a ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money.
Our read · The Entitled (2011) reads as a heavy, kinetic, grounded thriller · crime · survival entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Entitled
What watching it is actually like.
“You want a lean ransom-hostage thriller where rich kids and desperate men collide.”
Skip it tonight — Skip if kidnapped-teen tension and violence feel too upsetting with family around.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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